Use automation to send snippets of audio to it, then, once you've found the feedback sweet spot, 'ride' the feedback and tone controls in real time, recording the moves as DAW automation. Insert the EP-34 on an auxiliary with a synced 1/8D delay, then deactivate Sync. With UAD's Echoplex EP-34 tape delay emulation, it's achieved using the Echo Repeats (feedback) level and Echo Tone (treble and bass) controls. Automating dub delays using the EP-34 Tape Echoĭub delays work by feeding an EQed delay signal back into the delay input, causing it to endlessly filter the repeats. Remember, the bands offer +15dB boost and -4.5 dB cut, which is not obvious from the '+/-5' labelling. Use the 2.5kHz shelving band to cut or boost the mid-range edge, the 650Hz bell-shape band to adjust thickness, and the 160Hz bell for weight. However, the minimal phase shift design of the Maag EQ is ideally suited to the task. EQing electric guitars - particularly overdriven ones - can be a frustrating business.
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